
![]() |
ninja tack | ![]() |
May 28, 2008 |

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ninja tack with packaging | ![]() |
May 28, 2008 |
Ninja Tacks are thumbtacks designed to give the illusion that throwing stars are embedded in a surface. This product is an informal re-imagining of an often overlooked essential office tool.

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ninja tack in use | ![]() |
May 28, 2008 |

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ninja tack prep | ![]() |
2008 |

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ninja tack shipping | ![]() |
2008 |

The Bourgeois Brass Knuckle is a cross between two iconic objects whose cultural and socio-economic associations lie at opposite ends of the spectrum
from one another.
Bourgeois Brass Knuckle with custom box shanghoon
Originally designed by Jonathan Sabine, the BBK was later produced in a numbered limited edition run of 50 by the Chromoly studio. Each chrome plated Bourgeois Brass Knuckle came in a laser etched handmade walnut box. The design is in the permanent collection of SFMOMA. Chromoly also licensed the design temporarily to a company in the UK that produced them under a different name.
From the beginning we hit roadblocks in getting the BBK’s to market. Several potential manufacturers were consulted by their lawyers not to produce them, and (anecdotally) a Scandinavian retailer had the products confiscated by the police.

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Bourgeois Brass Knuckle with custom box. | ![]() |
shanghoon |

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The Bourgeois Brass Knuckle appears in Playboy Magazine. | ![]() |
September, 2009 |
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San Francisco | ![]() |
November 20, 2010 - April 17, 2011 |

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The Bourgeois Brass Knuckle on diplay at SFMOMA. | ![]() |
November 20, 2010 - April 17, 2011 |
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 December 2, 2010 |
Following the "How Wine Became Modern" exhibit The Bourgeois Brass Knuckle was entered into San Francisco Museum of Modern Art (SFMOMA) permanent collection.
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May 31, 2011 |
A design closely
resembling ours is used on the post for the movie. "Blood into
Wine."
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February 19, 2010 |
Two of Chromoly's past designs, the Ninja Tack and especially
Bourgeois Brass Knuckle, emerged as problematic to market.
Potential manufacturers were consulted by their lawyers to stay
away from them, and scandinavian retailers had the products taken
off their shelves by the police. The objects were being treated
like the weapons from which they borrowed their forms. They were
clearly carrying semantic baggage with them. This despite the fact
that the products have no more potential for lethality than do many
common household objects like hammers, kitchen knives, broken
bottles. The items were the target of censorship while the
equivalent or even greater potential many everyday objects have to
cause harm goes unacknowledged.
The Ninja Tacks and Bourgeois Brass Knuckle modified two weapon
types to serve a different, non-violent, function. Everyday Weapons
inverses this formula so that the capacity of everyday things to be
used violently is drawn out of them. A wrench and a pair of
scissors are housed in leather holsters, putting them in a context
of readiness for use as weapons; and a sling transforms a glass
tumbler into a projectile. The leather apparatuses weaponize the
objects without altering them.

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wrench holster | ![]() |
shanghoon |

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leg holster | ![]() |
shanghoon |

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glass slingr | ![]() |
shanghoon |

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all 3 everyday weapons in use. | ![]() |
shanghoon |

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all 3 everyday weapons on display. | ![]() |
shanghoon |
Chromoly participated
in the “Tools” exhibition held January 24th - 30th 2011 at The
Department in Toronto. www.toolstoronto.com
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Toronto, Canada | ![]() |
January 24th - 30th, 2011 |

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Azure Magazine | ![]() |
Nov, 2011 |

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Tomo Magazine | ![]() |
May, 2011 |

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On display at the Design Exchange for Knolling Canadian Design. | ![]() |
Nov.27 - Dec.12, 2012 |
Everyday Weapons was exhibited as part of the Design Exchanges "Knolling Canadian Design" Show.
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Toronto, Canada | ![]() |
Nov.27 - Dec.12, 2012 |

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New and Improved - Chair | shanghoon |
In new & improved the missing or broken parts of old wooden furniture are replicated in bronze. This reverses the relationship of the broken parts to the whole: what were once the weakest parts of the furniture have become the most permanent and precious. The intent is to question the conventional understanding of repair with its exhortations that things be restored, objectively, to their original state.

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New and Improved - Chair | shanghoon |
Originally, the description for N&I ended with the Utopian “If you’re going to change something, why not make it better?” It was a satirical line, and betrayed our awareness that in most ways our “improvement” actually undermined the original items.

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New and Improved - Chair | shanghoon |

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New and Improved - SIde Table | shanghoon |

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New and Improved - SIde Table | shanghoon |

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New and Improved - Chair and SIde Table | shanghoon |

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New and Improved - Coat Rack | shanghoon |

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New and Improved - Coat Rack | shanghoon |
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icon magazine | ![]() |
March, 2010 |

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Italian Design and Architecture Magazine Made | |
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September/October, 2010 |

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Paul Petro Special Projects, Toronto, Canada | ![]() |
January 20 - 30, 2010 |
setting
up.
getting
down.
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Paul Petro Special Projects, Toronto, Canada | ![]() |
January 20 - 30, 2010 |

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UpCycle! Book | ![]() |
Decmeber, 2012 |

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The Road Popper in use. |

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The Road Popper in in gold and silver. |

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The Road Popper in use. |
The Road Popper is a bike-mounted bottle opener that we developed for our own use and decided afterward to share. We designed it to attach discreetly to the rails on the underside of the saddle to help keep your bike looking crisp. So far, it's worked on all the bottle caps we've tried it on.
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Road Popper Description | ![]() |
2010 |
The prototypes produced via stereolithography (3D Printing) in bronze infused stainless. They’re available from Shapeways in Holland and cost more than we’d like. But that’s because they’re printed in metal in 3 fucking dimensions. Here's a link to the store. We recommend taking a look at this info sheet if you're interested in buying one.

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Road Popper featured in Indaba Magazine | ![]() |
June, 2010 |
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Bike Snob NYC | ![]() |
August 9, 2010 |

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Swiss Cycling Magazine “Velojournal.” |
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November, 2010 |
The faux antique metal powder coat used on this pendant fixture
and the twisted steel used in the side table - along the facilities
that produce them - are common in some Toronto neighbourhoods.
Despite this, these materials are generally held in fairly low
regard. Little Italy assumes that these materials are a part of a
sort of overlooked Toronto vernacular and acknowledges the positive
qualities of these materials that have led to their ubiquity.

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"Antique" copper vein powder coat. |

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Little Italy Lamps and Side Tables. | ![]() |
shanghoon |
While this project is about vernacular and all that, it’s also our contribution to the twin discussions surrounding locally sourced goods and what comprises the Canadian identity. We find the discourse thick with nostalgia, preconceptions, and other kinds of baggage. This led us to look at what materials and styles actually made up our surroundings and to use them even if they were shunned by many (including sometimes ourselves.)

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Little Italy Side Table. | ![]() |
shanghoon |


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Little Italy Lamp. | ![]() |
shanghoon |
For the 3rd year we are
part of the
Toronto Design Offsite. With the same group of designers who
did Heavy Metal
(2010) and Tools
(2011). This Year its
Associates.
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January 26, 2012 - January 29, 2012 |

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Setting up for the Associates show. |

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Opening Party. |

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Opening Party. |

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Little Italy - Gallery Side View |

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Little Italy - End of Show |
Both our Little Italy Side Table and Pendant Lamp are available here Caviar 20.

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Little Italy lights in Killjoy | ![]() |
Vancouver, Canada |
Chromoly is a collaborative studio run by Adam Pickard and Jonathan Sabine. They produce objects from their Toronto-based studio using whatever means available – self production, outsourcing, licensing, stereolithography, bashing things together. Their work has been featured in publications and carried in stores worldwide. Their design, Bourgeois Brass Knuckle is a part of the permanent collection of the San Francisco Museum of Modern Art.


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Design Lines | ![]() |
Summer, 2010 |